FLAVIA CHAIR
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The Flavia chair reinterprets the Colosseum’s iconic architecture through design.
Its structure, defined by a series of arches, evokes the amphitheater’s layered facades, transforming historical elements into a contemporary aesthetic.
More than a functional object, the chair embodies a dialogue between past and present, merging symbolism with form.
ÉTOILE
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Inspired by De Chirico’s enigmatic stillness and the poised grace of classical ballet, the coat stand takes shape as an abstract female figure, balanced between stillness and motion.
A presence in space where art and function merge into a quiet rhythm.
ADOLF LOST
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Adolf Lost is an ABS comb that subverts the principles of modernist functionalism.
With a form inspired by classical architecture, the project offers an ironic counterpoint to Adolf Loos’ rejection of ornament. Function is secondary: the comb becomes a symbolic object, where excess replaces utility.
Adolf Lost is a statement on subjectivity in aesthetics and the possibility of attributing monumentality to everyday tools.